Lani Seligman lives and works in Naarm (Melbourne). Her primary medium is photography. At times, she also uses video, sound, text and voice in her practice.

Her work has often focused on recurring nature of intergenerational trauma, drawing on her own family’s history. Recent work has focused on the refraining ramifications of living in this marrow and unceded land, and what it means to inherit and be complicit in its colonial past and present.